The Rag Tree has spent a fair amount of its time offering examples of poetry & discussing the art that makes a poem. But so far, prose has been off limits. In fact, one could do worse when answering the question, What makes a poem a poem?, by saying, “Whatever else it is, it’s not an essay!”
Poetry is a state of mind, and so if it were to appear on a menu, I might compare it to a kick-in-the-rear-of-the-pants cup of coffee, a dollop of superb ice-cream, or caviar on buttered toast–it’s in the moment and it had better be fresh and satisfying. But prose challenges our digestion more than it does our need for novelty or taste, and we expect long-term sustenance from it. Not that it shouldn’t taste like something (especially if it aspires to the status of a fine steak or wild-caught salmon), but it had better keep the animal spirit in us alive and kicking, rejuvenate our plans and hopes, and send us out into the world with a keener purpose and an ability to reach the next milestone.
Everything is grist for the mill. Roast goose, calves’ feet jelly, pigeons, blancmange (not to mention such modern challenges as Ox-tail soup–a delicacy that the author has had occasion to sample), so our digestions require instruction and fortification. I think it best to approach this topic, then, with a sample essay presented as a menu, divided into appetizer, first and second courses, dessert, and digestif (for the sake of simplicity
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Without further ado, then, I invite you to a supper of essay fare and techniques, an inspiration for the next time you dig through words, however well prepared they may be:
1) The Appetizer. Beginning (or tired) essayists invariably offer an undercooked and somewhat troublesome item called the introduction. This is the moment when the essay is most likely to remind us that its very name comes from a French word meaning “an attempt.” If well done, the introduction bears some other name (hopefully savoring of the main body’s interests and idiosyncracies); points out the main attractions to be encountered further along–for instance, an unusual interpretation of the causes of the French Revolution; explains why the topic is important; and offers a sample of the author’s style and wit. From the culinary perspective, introductions can vary from teeth-cracking breadsticks to fiery buffalo wings to perfect dumplings to wilted iceburg lettuce. Get it right and people will start shouting and snapping their fingers for the entree…
2) The First Course. Readers of course look for rib-sticking, belly-filling material here, but the secret to satisfying them lies elsewhere–in an odd item known as the Thesis Statement. The TS is the heart of the essay, what the author has to say boiled down into a brief and compelling sentence or two. Or, if you prefer, you can think of the TS as the chef’s secret ingredient–the ultra-fresh lobster or outstanding, family-recipe chutney–that sets his or her cooking apart from the mediocre. This is what the gourmand/jaded reader comes looking for. For instance, our TS might be: “In contrast to the many, overly familiar explanations for the French Revolution–the desperation of the poor, the corruption of the monarchy and aristocracy, the stifling of scholarship and scientific research–this essay proposes a simpler reason behind the collapse of the Old Regime: namely, the need for better instruction in language skills.” (with pardons to RT’s readers–you are welcome to suggest a more plausible cause, such as “the political radicalization of the Intelligentsia” or ”a lack of innovation on the part of chefs across the nation“).
Once the TS has been sampled, the reader expects arguments and evidence in its support. Brief, eloquent, or witty language is also part of the experience–the spicing of the meal, in other words. No style, no fun, no spice, and people will stop eating.
For instance, we could include the following argument in support of our TS: “The lack of an effective educational system, the overweening power of France’s political institutions, and the refusal to recognize the great strides being made in the practical arts and sciences elsewhere all discouraged the pursuit of new methods and applications in France.” Or again, “The clear lack of inspiration in food choices among the elite, the use of high-cholesterol and other unhealthy ingredients, and the preference for large meals all lead to the stultification of original thought among the aristocracy and educated class.” Needless to say, some arguments are tougher to make than others, so beware! You don’t want to overstuff your patrons.
3) The Second Course. This is where the exceptional essayist pulls away from the pack. A good essay will provide an unexpected, persuasive TS and argument; an excellent essay will go farther afield, offering connections to developments and theories that might not immediately suggest themselves. Once again pursuing the French revolution, we might write: “The American Revolution, inspired in part by the constitution of the Iroquois Confederation in New York State, made the revolution in Paris inevitable. In particular, we should consider the effect of native American polities on the constitutional deliberations in Philadelphia and thus on the development of political theory in Europe.” Or, on a saucier note, “The descent into a flat and uninspired cuisine on the part of those charged with the feeding of the most acute French minds, and especially the overemphasis on serving truffles and spun-sugar wedding cakes, is a principle culprit in the decline that lead to the revolution.” Examine your ingredients closely, all you aspiring essayists out there!
4) Dessert. And you thought we were never going to get to the best part! Any essayist worth his sugar knows that without the extra oomph of a little sweet and the yumminess of lemon, or orange, or chocolate at the end of his thoughts, he has left his readers dangling. And in fact, there is no reason why dessert should only be offered at the end–some unexpected flashes of genius and taste, perhaps even a digression into a seemingly irrelevant topic, can build suspense and a grander finale at the close of the meal. For the French Revolution, consider the following: “And in fact, the political and fashion contribution of Marie Antoinette to her husband’s style and decisions (just think of those hairdos!) is often overlooked.” Or, for the chefs out there, “I can state unequivocally that the lack of proper training of truffle-snuffling pigs lead to the revolution.” There’s more in a pig’s snout than you might think.
5) The digestif. I prefer pear liqueur myself–but never overlook the importance of foot and endnotes. Footnote style isn’t that important–but offering unexpected readings and overlooked authors adds tremendously to any word meal! Scholarship (or a good farmer’s market) is after all the heart of the enterprise.
So there it is folks, a meal that should help you tackle all manner of surprising and odd essays and arguments–and enjoy yourself in the process. RT
* P.S. & thank you to the chef who inspired this post!
* P.P.S. & of course, Margo: we would miss many a feast without your blog, Wordgathering.
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Image: Menu for Dinner in Honor of General Lafayette, 1824; WikiCmns; Public Domain.