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Free Food

?!

Today something odd happened: several times around noon someone knocked on my door & offered me free food. In about half an hour I ended up with a box of food that included a frozen pizza, frozen sausage, steak, and even lamb…! Market value? Maybe 40 or 50 dollars?

The benefactor was not very anonymous: “Pastor Debbie sent you this,” the delivery guy said. That would be Pastor Debbie of Harvest Light Ministries downstairs, a ministry that serves the homeless of Martinsburg’s downtown. HLM, perhaps not too popular because it attracts the “wrong sort,”  provides worship, food, and general guidance to a population that I would imagine hovers somewhere around a hundred (doubtless more, these days).

Thank you, Pastor Debbie and Harvest Light Ministries!

But I will admit to being somewhat perplexed, bebothered, and bewildered. Maybe I fall into HLM’s “catchment area” or maybe it’s just part of the ministry’s world view, but this is the first time I’ve received direct aid without asking. The “without asking” part may seem a minor part of the aid equation, but for adult Americans asking for help may be the single hardest thing they ever do. This is America, gosh dang it, and nice people don’t ask for help because nice people don’t need help. Unfortunately, I apparently need help just at the moment, and I still consider myself to be a reasonably nice guy.

Now HLM and I probably do not share much overlap in our theological perspectives–more’s the pity. I do (more or less regularly) attend what I consider to be one of the most liberal worship services in the area. Like the worship, love the coffee hour conversation. HLM I gather is much more on the traditional side of things. But on this issue, I have to take my hat off to them: they apparently realize that when a person needs help, you’re supposed to help them. One might think of this as the heart of hospitality and the spiritual ethic. But for some reason, almost no one else has provided tangible help. I can name those who have stepped in quickly: my mother, my therapist (a woman), the local community ministries, and the lady who helped me acquire my two cats. Readers, by the way, should take a moment and notice the gender imbalance in this list. Almost all the people who’ve stepped in are women.

Money is the hardest thing of all to discuss in the United States, the most private matter, it seems to me. But what we are talking about here is a taboo–an unconscious social prohibition acquired as a small child and only marginally amenable to discussion or reflection. As many people struggle to keep their houses, to keep themselves and their children clothed and fed, why is it that those who do not have these problems ignore those who do?

There is a spiritual dimension to all this: I am on walkabout, spirit quest, or whatever. And I am very lucky–many, many people do not have the intelligence, education, and life experiences that have been given to me–and that help me cope. I will have to do most of the repair work in my life.

But still I have to wonder: is this really the best we can do? What about the more-or-less permanently homeless? Why are we so bothered by the idea of helping other people? Why can’t we find a solution to homelessness that might actually make the homeless happy?

OK, OK. Enough of the soapbox. Time to get out some my owner’s manual and figure out the next step.    RT

*

Photo: Pizza; Jon Sullivan; WikiCmns; Public Domain.

*

James Joyce

March 17, 2012 3 comments

Putting aside the facts of his literary achievement, something about James Joyce epitomizes the Irish, or so this photograph of him (taken in 1915) seems to suggest.

His intelligence, intensity, and unassuming air have something to do with it, I think, but what really speaks to the Irish spirit is his otherworldliness, a distance that betrays a preoccupation with beauty and grief.

To be sure, one can surmise other traits–a fierce passion, an occasionally outrageous sense of humor–not so evident here. But anyone who wants to understand how a small island has managed to shape–and shake–the life of the world need look no farther. Happy St. Patrick’s Day!

Welcome, O life, I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race.  –Stephen Dedalus

Photograph: James Joyce, 1915. A. Ehrenzweig. WikiCmns. Public Domain.

Heads Up! It’s Beowulf!

October 13, 2011 2 comments

Say what you will–it’s unbelievably violent, incredibly beautiful, a man’s man’s tale, a window onto the origins of English poetry and culture–more than other work of literature, Beowulf has defined writing in English. Its meter evolved into the folk meters used in everything from advertising to hymnals; its worldview helped define the way that the Bible and Christianity were adapted into English writing and thought. Though this is no tale for children, Beowulf haunts our language community’s earliest and most profound imaginings. We are all children in its presence.

Here then is an early modern (Francis Gummere’s 1910) translation into English of the epic’s opening (not my favorite, by any means; I recommend the versions by Seamus Heaney and Howell Chickering). Winter is coming; enjoy the fierceness of the Old English masterpiece:

LO, praise of the prowess of people-kings
of spear-armed Danes, in days long sped,
we have heard, and what honor the athelings won!
Oft Scyld the Scefing from squadroned foes,
from many a tribe, the mead-bench tore,
awing the earls. Since erst he lay
friendless, a foundling, fate repaid him:
for he waxed under welkin, in wealth he throve,
till before him the folk, both far and near,
who house by the whale-path, heard his mandate,
gave him gifts: a good king he!
To him an heir was afterward born,
a son in his halls, whom heaven sent
to favor the folk, feeling their woe
that erst they had lacked an earl for leader
so long a while; the Lord endowed him,
the Wielder of Wonder, with world’s renown.
Famed was this Beowulf:[1] far flew the boast of him,
son of Scyld, in the Scandian lands.
So becomes it a youth to quit him well
with his father’s friends, by fee and gift,
that to aid him, aged, in after days,
come warriors willing, should war draw nigh,
liegemen loyal: by lauded deeds
shall an earl have honor in every clan.

Photo: First Page of the Beowulf Manuscript; WikiCmns; Src, Kip Wheeler’s Homepage; Public Domain.

Did Jacob Climb His Ladder?

March 26, 2011 6 comments

~~~

Jacob dreamed: he saw a ladder, anchored in the earth and reaching up until it disappeared into the sky. Angels were climbing up and down on it. …” (Gen. 28:11-13)

~~~

Here we have an appearance by the enigmatic Elohist, also known as the author of the “E” text of the Old Testament. Even in these two sentences, we sense a great writer at work, someone capable of taking folktale and transforming it into sublime art. And certainly the image of Jacob’s Ladder has become one of the iconic moments in the Bible and Western culture, referenced again and again in writing, song, architecture, and visual art.

Unfortunately, what we have in this episode is a fragment. The Elohist, who, I suspect, was the first of the Bible’s authors, has suffered from centuries of editing and rewriting, rearranging, and “cleaning up.” The Documentary Hypothesis (formulated in 1883 by Julius Wellhausen) argues that there are five principle authors of the Bible: “J” (for the Jahwist); “E” (for the Elohist); “D” (for the Deuteronomist); “P” (for the Priestly author); and “R” (for the Redactor, who combined JEDP into the text we have today). The sources are given here in the chronological order assigned to them by the DH; “J” is understood to have been written first of all the biblical materials, with the Elohist either editing the “J” material or composing an original work on his own.

But it seems to me that at least the material that the Elohist worked with is older than the material in the J text (which is far more complete than E, though much edited itself): the author’s milieu and references take us back to the time of the Judges, if not earlier—when stone circles and pillars were as common in the Middle East as they are today in celtic countries. And Beth-el, where Jacob dreamed of the ladder, might have been such a stone circle—or so the use of a stone for a pillow (and its subsequent transformation into a pillar) suggests.

Did Jacob climb his ladder in E’s version of events? It seems strange to me that, in contrast to the many people who have wanted to climb the ladder, Jacob would have stayed safe on earth; he would have taken his chances, this master thief. What did he see when he climbed the ladder? That’s much harder to guess; though a meeting with El (as “E” refers to God in the first half of his materials) seems plausible.

The Elohist was a poet, and his writings provide a dreamlike (and at moments terrifying) foundation for Western religious sensibility. Readers who take the time to sort through the Bible’s chapters to discover his contribution will find themselves well rewarded.

***

Image: The Morgan Bible, WikiCmns, Public Domain.

Sing on, Proud Poet!

February 15, 2011 2 comments

del Sallaio, Orpheus, 15th C.

 

black was she? bright as the stars… ?

Watts, Orpheus & Eurydice

 

Δ

tumbled by the night? the tooth?

the voice, i say: never forgotten

  & tender

                             tongue like a shoot?

 ∩ 

Waterhouse; the Head of Orpheus

no: tongue like the truth

                                                      from which

                       we all sprang…

–the Rag Tree

images: src: WikiCmns; license: Public Domain

The Dream of Angus

February 14, 2011 Leave a comment

Folks: In my mid-20s, I ran across this story in Lady Gregory’s Cuchulain of Murthemne (1904), the first of her two-volume retelling of Irish mythology and folktale. For sheer beauty and romance (not to mention an unsentimental understanding of love-sickness), it is matched by only a few other stories. Enjoy–and happy Valentine’s Day!   RT

DREAM OF ANGUS

(from Lady Gregory’s Cuchulain of Muirtheme)

ANGUS, son of the Dagda, was asleep in his bed one night, and he saw what he thought was a young girl standing near him at the top of the bed, and she the most beautiful he had ever seen in Ireland. He put out his hand to take her hand, but she vanished on the moment, and in the morning when he awoke there were no trace or tidings of her.

He got no rest that day thinking of her, and that she had gone away before he could speak to her. And the next night he saw her again, and this time she brought a little harp in her hand, the sweetest he ever heard, and she played a song to him, so that he fell asleep and slept till morning. And the same thing happened every, night for a year. She would come to his bedside and be playing on the harp to him, but she would be gone before he could speak with her. And at the end of the year she came no more, and Angus began to pine away with love of her and with fretting after her; and he would take no food, but lay upon the bed, and no one knew what it was ailed him. And all the physicians of Ireland came together, but they could not put a name on his sickness or find any cure for him.

But at last Fergne, the physician of Conn, was brought to him and as soon as he looked at him he knew it was not on his body the sickness was, but on his mind. And he sent every one away out of the room, and he said: “I think it is for the love of some woman that you are wasting away like this.” “That is true, indeed,” said Angus, “and it is my sickness has betrayed me.” And then he told him how the woman with the most beautiful appearance of any woman in Ireland, used to come and to be playing the harp to him through the night, and how she had vanished away.

Then Fergne went and spoke with Boann, Angus’s mother, and he told her all that happened, and he bade her to send and search all through Ireland if she could find a young girl of the same appearance as the one Angus had seen in his sleep. And then he left him in his mother’s care, and she had all Ireland searched for a year, but no young girl of that appearance could be found.

At the end of the year, Boann sent for Fergne to come again, and she said: “We have not got any help from our search up to this.” And Fergne said: “Send for the Dagda, that he may come and speak to his son.” So they sent for the Dagda, and when he came, he said: “What have I been called for?” “To give an advice to your son,” said Fergne, “and to help him, for he is lying sick on account of a young girl that appeared to him in his sleep, and that cannot be found; and it would be a pity for him to die.” “What use will it be, I to speak to him?” said the Dagda, “for my knowledge is no higher than your own.” “By my word,” said Fergne, “you are the king of all the Sidhe of Ireland, and what you have to do is to go to Bodb, the king of the Sidhe of Munster, for he has a name for knowledge all through Ireland” So messengers were sent to Bodb, at his house in Sidhe Femain, and he bade them welcome. “A welcome before you, messenger of the Dagda,” he said, “and what is the message you have brought?” “This is the message,” they said, “Angus, son of the Dagda, is wasting away these two years with love of a woman he saw in his dreams, and we have not been able to find her in any place. And this is an order to you,” they said, “from the Dagda, to search out through Ireland a young girl of the same form and appearance as the one he saw.” “The search will be made,” said Bodb, “if it lasts me a year.”

And at the end of a year he sent messengers to the Dagda. “Is it a good message you have brought?” said the Dagda. “It is, indeed,” they said; “and this is the message Bodb bade us give you, ‘I have searched all Ireland until I found the young girl with the same form and appearance that you said, at Loch Beul Draguin, at the Harp of Cliach.’ And now,” they said, “he bids Angus to come with us, till he sees if it is the same woman that appeared to him in his dream.”

So Angus set out in his chariot to Sidhe Femain, and Bodb bade him welcome, and made a great feast for him, that lasted three days and three nights. And at the end of that time he said: “Come out now with me, and see if this is the same woman that came to you.”

So they set out together till they came to the sea, and there they saw three times fifty young girls, and the one they were looking for among them; and she was far beyond them all. And there was a silver chain between every two of them, but about her own neck there was a necklace of shining gold. And Bodb said, “Do you see that woman you were looking for?” “I see her, indeed,” said Angus. ‘But tell me who is she, and what her name is.“ ”Her name is Caer Ormaith, daughter of Ethal Anbual, from Sidhe Uaman, in the province of Connaught. But you cannot bring her away with you this time,” said Bodb.

Then Angus went to visit his father, the Dagda, and his mother, Boann, at Brugh na Boinne; and Bodb went with him, and they told how they had seen the girl, and they had heard her own name, and her father’s name. “What had we best do now?” said the Dagda. “The best thing for you to do,” said Bodb, “is to go to Ailell and Maeve, for it is in their district she lives, and you had best ask their help.”

So the Dagda set out until he came into the province of Connaught, and sixty chariots with him; and Ailell and Maeve made a great feast for him. And after they had been feasting and drinking for the length of a week, Ailell asked the reason of their journey. And the Dagda said: “It is by reason of a young girl in your district, for my son has sickness upon him on account of her, and I am come to ask if you will give her to him.” “Who is she?” said Ailell. “She is Caer Ormaith, daughter of Ethal Anbual.” “We have no power over her that we could give her to him,” said Ailell and Maeve. “The best thing for you to do,” said the Dagda, “would be to call her father here to you.”

So Ailell sent his steward to Ethal Anbual, and he said: “I am come to bid you to go and speak with Ailell and with Maeve.” “I will not go,” he said; “I will not give my daughter to the son of the Dagda.” So the steward went back and told this to Ailell. “He will not come,” he said, “and he knows the reason you want him for.”

Then there was anger on Ailell and on the Dagda, and they went out, and their armed men with them, and they destroyed the whole place of Ethal Anbual, and he was brought before them. And Ailell said to him: “Give your daughter now to the son of the Dagda.” “That is what I cannot do,” he said, “for there is a power over her that is greater than mine.” “What power is that?” said Ailell. “It is an enchantment,” he said, “that is on her, she to be in the shape of a bird for one year, and in her own shape the next year.” “Which shape is on her at this time?” said Ailell. “I would not like to say that,” said her father. “Your head from you if you will not tell it,” said Ailell.

“Well,” said he, “I will tell you this much; she will be in the shape of a swan next month at Loch Beul Draguin, and three fifties of beautiful birds will be along with her, and if you will go there, you will see her.”

So then Ethal was set free, and he made friends again with Ailell and Maeve; and the Dagda went home and told Angus all that had happened, and he said: “Go next summer to Loch Beul Draguin, and call her to you there.”

So when the time came, Angus Og went to the loch, and he saw the three times fifty white birds there, with their silver chains about their necks. And Angus stood in a man’s shape at the edge of the loch, and he called to the girl: “Come and speak with me, O Caer!” “Who is calling me?” said Caer. “Angus calls you,” he said “and if you come, I swear by my word, I will not hinder you from going into the loch again.” “I will come,” she said. So she came to him, and he laid his two hands on her, and then, to hold to his word, he took the shape of a swan on himself, and they went into the loch together, and they went around it three times. And then they spread their wings and rose up from the loch, and went in that shape till they were at Brugh na Boinne. And as they were going, the music they made was so sweet that all the people that heard it fell asleep for three days and three nights.

And Caer stopped there with him ever afterwards, and from that time there was friendship between Angus Og and Ailell and Maeve. And it was on account of that friendship, Angus gave them his help at the time of the war for the Brown Bull of Cuailgne.

Photo: Swans on Loch Leane, WikiCmns, Public Domain

Art: The Swan Princess, M. Vrubin, WikiC, Public Domain

Ozymandias

January 30, 2011 2 comments

 

 

OZYMANDIAS of EGYPT

I met a traveller from an antique land
Who said:—Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shatter’d visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamp’d on these lifeless things,
The hand that mock’d them and the heart that fed.
And on the pedestal these words appear:
“My name is Ozymandias, king of kings:
Look on my works, ye mighty, and despair!”
Nothing beside remains: round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.

Percy Bysse Shelley (1818)


(Photo: Djoser’s Pyramid; Src: WikiCmns; License: Public Domain)

 

Getting Published

January 16, 2011 7 comments

*

GETTING PUBLISHED

>1. it just occurred to me

I once told a nice young boy

hot and heavy to get into my college

and be the next Hemingway

(i was like that too, once)

who asked, “How do I get published?”

>

You know, writing isn’t about getting published;

writing is about community

>>2. Just the facts

anyway, this is how it happened:

>

last july, the unbearably hot one following

my 42nd birthday

>

i stopped by without thinking

the rack of cheap books

at 4 seasons

and bought a book of tanka by

some japanese monk you

never heard of

>

well, the form

was interesting

and

>

the book was only $4

so though I only had $10,

I bought it

>>3. West Virginia Weeds & the Muse

then

>

about a week later,

I was working in

our garden

pulling weeds and

>

i spaced out

>

then

that night I thought of the book

and how I’d wanted to write a poem about being in

West Virginia

>

and so I did

>>3. Pinch bugs

why is it digressions

are always so much more interesting

than the assigned topic?

>

whatever, it’s the reason

why we poets, like tom sawyer, are

always guilty of playing with pinch bugs

during the sermon

why we are

always caught playing hooky on that craggy

digression

called parnassus

>>4. The Inside Track

so then there was that community

that fellowship of poets

that hobo convention

called bookends

>

and

well,

I didn’t even have to send an envelope

they were interested

>

maybe it was because I’m always bitching about how hard it is

to get published (though, truth to tell, i’ve never tried

that hard) or

>

maybe it

was because they liked

me (or maybe it’s because i’m good—who knows?) whyever

>

it happened

>>5.  & yes, community

remember the japanese monk? hmmmm

>

he lived during the 14th century

rich people actually paid him to run

poetry storming seminars in their houses

>

imagine that

>

of course he had his problems:

came from the wrong family,

ran afoul of the local politics

and

THAT night

When his house burned TO ASH &

20,ooo

of HIS POEMS TOO

>

AND all he had for comfort

was a religion that embraces void

>

and silence, the void and silence that sent

Pascal (and, let’s face it, most of the rest of us)

shrieking into the arms of a god

who at least offers

unoblivion

>

what would he say if i told him

that 700 years later

>

some guy speaking a language he didn’t know

living on a continent he didn’t know about

>

would read him in translation

>

would find comfort in what he said

>

would turn his poems into something new

>>6. let be maybe be finale…

he’s gone

I will be too

>

and our words?

>

well, like Buddha

>

they are

laughing

###

the Rag Tree

copyright, 2011

(photo: WikiCommons; Sebastian Ritter; CC 2.5)

That Place in the Thigh

December 30, 2010 4 comments

 

 

That Place in the Thigh

(for my grandfather, Franklin)

you’ll turn the fans on, that

      first night;

in the morning, the skies

will be flat,

the leaves listless, tattered,

      zephyrs

wandering up the hills;

      it isn’t autumn yet,

when you boil apples down in

sugar and vinegar—no, and

no new work yet, the pain fresh

and hungry—

you can’t tell the buddies, not really,

about this place, damp & ratty &

       you don’t want to know what

      your family might say, the gospel

choir downstairs notwithstanding…

and, after all, what is there to say; things happen.

   in the evening, when the

sun turns the wires to silver ladders

and burns the brick wall blowzy

and shining,

                    you’ll wonder

      about your boy, sharp as his mother,

      (no belly of clouds)

and tough,

                but for the

ineffable rage, the phone call with

the minister at your side, the frantic silence,

the wife’s dignity: “He’s out…does he

have your number?”

              there is a final thought, the world

sliding down towards absence—you must

climb the words, one by one, knowing no

   one is listening, that astray you have

   known things people will remember: that

   the floor of heaven is stone, that the man

                who lives there wears your face,

      that what we say is just what we

      say, not what the

words might—

that you will not see until you see

your face scattered

                                  and sprung,

                                              hear

the sound of his feet on the

stairs, the short, polite knock—

   the words will come to you

                                    then, the

trains clattering away down the block,

   your hair cropped and

   the wine cooled all night—

and his words, too, unvictorious,

   wrestled–uncontrite, limping &

          named–

   shaped, as if in bone-struggle (that

          place in the thigh)

                                  and

   afterwards,

steaming on battered brick,

                                  (heaven’s sluice)—

                                   the rain, the

long sheets of rain.

#

–The Rag Tree

##

Photo: Oak Leaves; E. Herbst; WikiCommons

Rat to the Rescue!

December 9, 2010 Leave a comment

 

Rat to the Rescue! (from chapter 3, The Wind in the Willows)

We pick up our story in the middle of a crisis: the daredevil mole, in search of the hard-to-meet Mr. Badger, has entered the Wild Wood in the middle of Winter, only to encounter the terrifying eyes and faces of the wood’s more alarming residents:

Then the whistling began.

Very faint and shrill it was, and far behind him, when first he heard it; but somehow it made him hurry forward. Then, still very faint and shrill, it sounded far ahead of him, and made him hesitate and want to go back. As he halted in indecision it broke out on either side, and seemed to be caught up and passed on throughout the whole length of the wood to its farthest limit. They were up and alert and ready, evidently, whoever they were! And he -— he was alone, and unarmed, and far from any help; and the night was closing in.

Then the pattering began.

He thought it was only falling leaves at first, so slight and delicate was the sound of it. Then as it grew it took a regular rhythm, and he knew it for nothing else but the pat-pat-pat of little feet still a very long way off. Was it in front or behind? It seemed to be first one, and then the other, then both. It grew and it multiplied, till from every quarter as he listened anxiously, leaning this way and that, it seemed to be closing in on him. As he stood still to hearken, a rabbit came running hard towards him through the trees. He waited, expecting it to slacken pace, or to swerve from him into a different course. Instead, the animal almost brushed him as it dashed past, his face set and hard, his eyes staring. ‘Get out of this, you fool, get out!’ the Mole heard him mutter as he swung round a stump and disappeared down a friendly burrow.

The pattering increased till it sounded like sudden hail on the dry leaf-carpet spread around him. The whole wood seemed running now, running hard, hunting, chasing, closing in round something or— somebody? In panic, he began to run too, aimlessly, he knew not whither. He ran up against things, he fell over things and into things, he darted under things and dodged round things. At last he took refuge in the deep dark hollow of an old beech tree, which offered shelter, concealment—perhaps even safety, but who could tell? Anyhow, he was too tired to run any further, and could only snuggle down into the dry leaves which had drifted into the hollow and hope he was safe for a time. And as he lay there panting and trembling, and listened to the whistlings and the patterings outside, he knew it at last, in all its fullness, that dread thing which other little dwellers in field and hedgerow had encountered here, and known as their darkest moment—that thing which the Rat had vainly tried to shield him from—the Terror of the Wild Wood!

Meantime the Rat, warm and comfortable, dozed by his fireside. His paper of half-finished verses slipped from his knee, his head fell back, his mouth opened, and he wandered by the verdant banks of dream-rivers. Then a coal slipped, the fire crackled and sent up a spurt of flame, and he woke with a start. Remembering what he had been engaged upon, he reached down to the floor for his verses, pored over them for a minute, and then looked round for the Mole to ask him if he knew a good rhyme for something or other.

But the Mole was not there.

He listened for a time. The house seemed very quiet.

Then he called “Moly!” several times, and, receiving no answer, got up and went out into the hall.

The Mole’s cap was missing from its accustomed peg. His goloshes, which always lay by the umbrella-stand, were also gone.

The Rat left the house, and carefully examined the muddy surface of the ground outside, hoping to find the Mole’s tracks. There they were, sure enough. The goloshes were new, just bought for the winter, and the pimples on their soles were fresh and sharp. He could see the imprints of them in the mud, running along straight and purposeful, leading direct to the Wild Wood.

The Rat looked very grave, and stood in deep thought for a minute or two. Then he re-entered the house, strapped a belt round his waist, shoved a brace of pistols into it, took up a stout cudgel that stood in a corner of the hall, and set off for the Wild Wood at a smart pace. …

*

Image src: WikiCommons; author: MorrisWaterMaze; available under CC 2.0 generic license.

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